In an unexpected turn of events,General Salim Saleh, the Chief Coordinator of Operation Wealth Creation (OWC), has voiced his frustrations with Ugandan musicians persistently seeking financial assistance and pitching unorganized ideas at his residence in Gulu City. This follows a wave of artists, led by figures like Ragga Dee, Buchaman, and OS Suna, who had reportedly camped in the northern region hoping for financial breakthroughs.

Addressing the matter during a high-profile event in Gulu City, where the MIAU showroom was launched, Gen Saleh made it clear that he had grown weary of musicians disrupting his work with ill-prepared proposals. “Our musicians lack organization and education. They come for meetings, but ultimately, all they want is money. I’m tired of wasting my time on these unproductive engagements,” he remarked.

Over recent months, Gulu City has become a hub for artists targeting Gen Saleh’s financial support under the guise of promoting creative arts. However, the general has now taken a firm stand, urging musicians to focus on professionalism and respect for his work as a government official. His message was echoed by the acting president of the Uganda Musicians Association (UMA), who welcomed the move. She advised artists to channel their grievances through established structures within the association to ensure proper representation and coordination.

This isn’t the first time Gen Saleh has addressed the issue. In November, he penned a letter to Eddy Kenzo, the President of the Uganda National Musicians Federation (UNMF) and a presidential advisor on creatives, highlighting the disruptive nature of musicians flocking to Gulu. “These musicians are interfering with my work in Northern Uganda. Please take action to manage this influx during the Christmas festivities,” the letter read.

OWC leadership has since called on stakeholders in the creative sector to realign their activities with national development goals. The organization stressed the importance of mutual respect and collaboration, urging the Uganda Musicians Association and the UNMF to play active roles in addressing the disorganization within the industry.

Gen Saleh’s stance has sparked debate among artists and fans alike. While some have criticized him for being dismissive, others believe his tough love approach could encourage a much-needed restructuring of Uganda’s music industry. For now, musicians seeking support in Gulu may need to rethink their approach, focusing on presenting well-organized and impactful ideas that align with the country’s socio-economic agenda.